George & Junior. Avery's cartoons at MGM somewhat felt like Looney Tunes and Merrie Melodies cartoons done during that same period at Warner Bros., two cartoon series that Avery himself had worked on back then, albeit the Warners' series gained more popularity than Avery's MGM cartoons. Dir. Avery reportedly managed to convince producer Leon Schlesinger that he was an experienced director, a false claim. He claimed to have also occasionally filled in for Bill Thompson as Droopy.[3]. He stereotypes blacks heavily by adorning characters that are turned a dark shade with sudden bones and savage jewelry. He most commonly used them as sex symbols with super-feminine qualities. MGM/UA Home Video, 1993. Even with this prominent racial humiliation, Avery’s intent is still clear; his goal was always comedy and satire, not a strict adherence to any prejudices he might have had. However, using the best surviving archival elements, all 19 shorts on the set have been digitally restored in HD and are presented completely uncut. Tex Avery was born in Taylor, Texas on February 26, 1908. [5][8] "Termite Terrace" later became the nickname for the entire Schlesinger/Warners studio, primarily because Avery and his unit were the ones who defined what became known as "the Warner Bros. The majority of his work was done for Warner Brothers and Metro-Goldwyn-Mayer Studios. The new Avery unit of the studio was granted their own building, a five-room bungalow. During this period, he made a series of films which explored the technology of the future: The House of Tomorrow, The Car of Tomorrow, The Farm of Tomorrow and TV of Tomorrow (spoofing common live-action promotional shorts of the time). [30], American animator, cartoonist, voice actor and director, Barrier (2003), Warner Bros., pp. Schlesinger was not interested in Avery's idea, so Avery approached Jerry Fairbanks, a friend of his who produced the Unusual Occupations series of short subjects for Paramount Pictures. In 2008, France issued three postage stamps honoring Tex Avery for his 100th birthday, depicting Droopy, the redheaded showgirl, and the wolf.[23]. New York: Oxford UP, 2003. Simply some of the funniest cartoons ever made. Avery's last two original cartoons for MGM were Deputy Droopy and Cellbound, completed in 1953 and released in 1955. [5] Barrier notes that the new design by Avery departed from the "Disneyish" realism in the previous drawing style. So Avery went back to the "hunter and prey" framework, and incorporating Jones' "Elmer's Candid Camera", gag for gag, and altering the design of Elmer Fudd. He was submitting sight gags for use in the short films. He liked to experiment and just wanted the characters to be appealing and animateable. [citation needed], Avery took a year's sabbatical from MGM beginning in 1950 (to recover from overwork), during which time Dick Lundy, recently arrived from the Walter Lantz studio, took over his unit and made one Droopy cartoon, as well as a string of shorts featuring Barney Bear. By 1935, when Avery was hired, the Schlesinger studio had only two full-time, regular film directors: Friz Freleng and Jack King. Being the inspiration for future generations of cartoonists, Avery brought us such funny characters as Droopy, Spike the bulldog, Screwy Squirrel, and several Looney Tunes characters. While the oil economy of Texas enjoyed a slight boost in the early 1920s, during World War I most Texans had to conserve resources with “wheatless Mondays, meatless Tuesdays, and porkless Thursdays and Saturdays”[4]. The hard times that Avery saw and faced early in his life seem to have affected his views on frugality and greed and consequently influenced his characters and stories. According to a DVD commentary for the cartoon, the historian and animator Greg Ford explained that the problem Schlesinger had with the ending was that, just before falling off the third time, Bugs and the dog were to turn to the screen, with Bugs saying "Hold on to your hats, folks, here we go again! His cartoons became known for their sheer lunacy, breakneck pace, and a penchant for playing with the medium of animation and film in general that few other directors dared to approach. Big is earth-size, fast is almost instantaneous movement from one country to another, and violence is excessive. Later in 1935, Avery applied for a job at Leon Schlesinger Productions (the company later known as Warner Bros. Cartoons). [9] He recalled that while working at Warner Bros., the animators had a great deal of liberty, and were subject to very little censorship of their work.[10]. He was only an inker, inking cels for animated short films in the Oswald the Lucky Rabbit series. Campbell, Randolph B. [26] The shorts are not presented in chronological order, because according to Jerry Beck, most of MGM's pre-1951 cartoons had their original negatives destroyed in a 1965 vault fire - causing massive difficulties in terms of restoration. 1600 Penn: Putting Out Fires; 15/Love: The French Deception; 1600 Penn: The Skiplantic Ocean; 1600 Penn: So you Don't Want to Dance; 1600 Penn: Meet the Parent Nolan reportedly delegated work to Avery, whenever Avery had to animate a sequence. Avery also produced ads for Kool-Aid fruit drinks starring the Looney Tunes characters he had once helped create during his Termite Terrace days. Nolan's instructions for a scene involving Oswald being chased by bees were reportedly simple. When some of the artists humorously criticized the wild action in his animated shorts, Avery would take time to explain his rationale. When Avery left the Schlesinger studio in mid-1941, he went straight to Paramount to work on the first three shorts in the series before joining Metro-Goldwyn-Mayer. Stamps issued by France on March 3, 2008, memorializing Tex Avery's creative work, series FRO20-08, personal reflection, personal essay, or argumentative essay, Learn how and when to remove this template message, Academy Award for Best Short Subject (Cartoons), The Woody Woodpecker and Friends Classic Cartoon Collection, "A Quickie Look at the Life & Career of Tex Avery - Bright Lights Film Journal", "Didn't Tex Avery do a lot of the voices in his cartoons? In Avery's own words: Although his stay in Texas was short, only nineteen years, it was significant enough to impact his perspective on life and create a lifelong yearning for his home state. Tex Avery. This occurs in Magical Maestro, when an opera singer is sprayed with ink and suddenly begins singing the blues. This method of performing gags ridiculously fast makes even mild or dry gags seem hilarious due to their speed. Beans was also featured in the film's title card, signifying that he was the intended protagonist. His cartoon style of slapstick gags and hilarious situations are still being imitated today, over forty years after they were created. Template:Infobox Creator Dir. The next to try out the rabbit, known around Termite Terrace as "Bugs's bunny" (named after Hardaway), was Avery. Droopy. Audiences reacted riotously to the juxtaposition of Bugs's nonchalance and the potentially dangerous situation, and "What's up, doc?" Avery graduated in 1926 from North Dallas High School. ",[6] which he later used for Bugs Bunny in the 1940s. Looney Tunes Characters Classic Cartoon Characters Looney Tunes Cartoons Old Cartoons Classic Cartoons Funny Cartoons Cartoon Gifs Animated Cartoons Cartoon Profile Pictures. Filmografi Sinema. Was born Feb 26, 1908 - Taylor, Texas, United States. Gags are carefully timed and build upon one another in a crescendo of speed and exaggeration. Wolf. Frederick Bean "Tex" Avery (February 26, 1908 – August 26, 1980) was an American animator and director, known for producing and directing animated cartoons during the golden age of American animation. Many references related to Tex Avery have appeared in various animated television series or animated films. "[9], At MGM, Avery's creativity reached its peak. At Warners he created Daffy Duck (1937), Elmer Fudd (1940) and Bugs Bunny (1940), while also establishing the Looney Tunes signature style. Red is an American animated character, created by Tex Avery, who appears in several MGM short films and Tom and Jerry films. He also introduced a slow-talking wolf character, who was the prototype for MGM associates Hanna-Barbera's Huckleberry Hound character, right down to the voice by Daws Butler. Voir plus d'idées sur le thème dessin animé, dessin, animé. He crafted gags for the shorts, periodically provided voices for them (including his trademark belly laugh), and held such control over the timing of the shorts that he would add or cut frames out of the final negative if he felt a gag's timing was not quite right. Red is a Tex Avery-created character in the MGM cartoon short Red Hot Riding Hood, where she is the subject of the amorous attentions of the Big Bad Wolf.She later appeared as a character in the Droopy & Dripple segments of the Saturday morning animated series Tom & Jerry Kids, and she appeared as a pivotal character in several direct-to-video Tom & Jerry movies. The incident is described in some detail by Barrier, based in part on old interviews with Avery. View 30 images and 1 sound of Tex Avery's characters from his voice acting career. FANDOM. The choices for how nature acts are of the moment, always changing, and usually unexpected. [citation needed]. One of his most recognizable characters is an unnamed sexpot who first appeared in Red Hot Riding Hood and is frequently chased and desired by an unsavory wolf character. Some speculate it was his lack of depth perception that gave him his unique look at animation and bizarre directorial style,[2] but it did not stop his creative career. He was responsible for the creation of Droopy, Screwy Squirrel, Red, Slick Wolf, Butch Dog, Meathead Dog and George and Junior. Tex Avery is a main character, He is from the 1997 animated french-american-canadian television program, The Wacky World of Tex Avery. Known for voicing Junior. cartoon.". Tex Avery, Director: A Wild Hare. "[2] He also performed a great deal of voice work in his cartoons, usually throwaway bits. This is a little collection of some of my favorite screen shots from Tex's MGM toons. The Droopy character takes center stage in this Golden Age Of Animation Collection.This is … However, even though this is a clearly jaded view of women, it is not surprising given the strong history of poor women’s rights in Texas. LaserDisc. Rare prints and art containing original titles and unedited animation from Avery's MGM and Warner Bros. cartoons are now usually sold on eBay or in the collections of animators and cartoon enthusiasts. For the first time in more than four decades, Fritos corn chips are getting a new marketing campaign, but don't look for the PepsiCo owned snack to … According to Michael Barrier, Beans was more of a straight man. Several of his cartoons were released on VHS, in four volumes of Tex Avery's Screwball Classics, two VHS Droopy collections, and various inclusions on MGM animation collection releases, with many gags edited out for television showings left in. A page for describing Characters: Tex Avery MGM Cartoons. Avery was granted exclusive use of four animators: Bob Clampett, Chuck Jones, Sid Sutherland and Virgil Ross. [9], On September 2, 1941, the Reporter announced that Avery had signed a five-year contract with Metro-Goldwyn-Mayer, where he was to form his own animation unit and direct shorts in Technicolor. [5] He began his animation career when hired by the short-lived Winkler studio (named after producer Margaret J. Winkler). Games Movies TV Video. Even after he left Texas, Avery witnessed American poverty in the Great Depression, a reoccurring reference in his cartoons. Avery's return to the Lantz studio did not last long. September 2020. Avery, nicknamed "Tex", "Fred", and "Texas", was born and raised in Taylor, Texas, a small town in the vicinity of Austin. [19], Other MGM cartoons directed by Avery include Bad Luck Blackie, Cellbound, Magical Maestro, Lucky Ducky, Ventriloquist Cat and King-Size Canary. [5] However, Porky had to be redesigned again. After about six weeks of substandard work, his superiors let him go. [4][5] A popular catchphrase at his school was "What's up, doc? After graduating from North Dallas High School in 1927, Avery moved to Southern California in 1929 and got a job in the harbor. Tex Avery was a descendant of Judge Roy Bean and Daniel Boone, but all his grandma ever told him about it was "Don't ever mention you are kin to Roy Bean. Tex Avery, unlike most Warner Bros. directors, kept many original title frames of his cartoons, several otherwise lost due to Blue Ribbon Reissues. [3] Avery used this idea of ever expanding consumerism to parody American society in The … of Tomorrow series in which typical Americans are depicted purchasing the newest goods no matter whether they are useful or not. The new design gave Porky more prominent eyes and a smaller snout. Assorted Characters. [15] However, Barrier uncovered a typewritten dialogue transcript of the cartoon that mentions the three falls at the end, but the "Hold on to your hats" line is absent, with the rest of the dialogue in the cartoon transcribed accurately, meaning that Avery either misremembered or embellished the story and Schlesinger made the cut not because of any risque content, but because he didn't think that it was funny that Avery was killing Bugs three times and the ending simply dragged on for too long. The character was created by cartoonist Tex Avery .She is a fictional singer and dancer who performs in nightclubs. Based on Avery's recollections, there is a description of how this happened. Women: A more clear effect of Avery’s Texan roots is the portrayal of women in his cartoons. Red is a Tex Avery-created character in the MGM cartoon short Red Hot Riding Hood, where she is the subject of the amorous attentions of the Big Bad Wolf.She later appeared as a character in the Droopy & Dripple segments of the Saturday morning animated series Tom & Jerry Kids, and she appeared as a pivotal character in several direct-to-video Tom & Jerry movies. Gone to Texas: a History of the Lone Star State. Other Avery characters at MGM included Screwy Squirrel and the Of Mice and Men-inspired duo of George and Junior. Tex Avery is widely considered the original cartoon gag-man, famous for wild takes, Breaking the Fourth Wall and medium conventions, and stretching every joke to its comedic limit. The Wolf, real name McWolf is a major character created by cartoonist Tex Avery. Although Tex Avery did not live to experience the late-1980s renaissance of animation, his work was rediscovered and he began to receive widespread attention and praise by the modern animation and film communities. Popular pages. Race: In a similar vein, many of Avery’s cartoons also exhibit racism and stereotyping towards blacks. He is the creator of such characters as The Wolf, Droopy, and Screwy Squirrel. His influence is strongly reflected in modern cartoons such as Roger Rabbit, Ren and Stimpy, Oggy and the Cockroaches, Animaniacs, Freakazoid, SpongeBob SquarePants, and the Genie character in Disney's Aladdin. [2], During some office horseplay at the Lantz studio, a thumbtack or paper clip flew into Avery's left eye and caused him to lose his sight in that eye. Daffy was an almost completely out-of-control "darn fool duck" who frequently bounced around the film frame in double-speed, screaming "Hoo-hoo! 87 Pages. Her visual design and voice varied somewhat between shorts. DVD. Tex Avery. [11], Ben Hardaway, Cal Dalton and Chuck Jones directed a series of shorts which featured a Daffy Duck-like rabbit, created by Ben "Bugs" Hardaway. [27] In March 2020, Warner Archive announced they were working on Tex Avery Screwball Classics Volume 2[28] and will be released in December 2020 containing 21 restored and uncut shorts as well as Tex Avery: The King of Cartoons - an archival documentary as a special feature. Spike. Additionally, he was growing up in a culture rich with American folk stories and absurd, exaggerated tall tales. His father was born in Alabama and his mother was born in Chickasaw County, Mississippi. Avery was reportedly displeased with his salary and had started giving up on his work. Tex Avery GIF 48 by Toongod on DeviantArt. Droopy (originally "Happy Hound") was a small, calm, slow-moving and slow-talking dog who always won out in the end, whatever difficulties he was presented with. Porky became a less-realistic pig and looked more like a cartoon character. Since he grew up undergoing a segregated education, his interaction with minorities was at a minimum. A good example of this is Uncle Tom’s Cabaña. Frederick Bean "Tex" Avery (February 26, 1908 – August 26, 1980) was an American animator and director, known for producing and directing animated cartoons during the golden age of American animation. Tex Avery is an American animated film director, most famous for his cartoons at Warner Brothers and MGM. He also created a series of risqué cartoons, beginning with Red Hot Riding Hood (also 1943), featuring a sexy female star who never had a set name but has been unofficially referred to as "Red" by fans. Avery completed two films using this process. He did his most significant work for the Warner Bros. and Metro-Goldwyn-Mayer studios, creating the characters of Bugs Bunny, Daffy Duck, Droopy, Screwy Squirrel, and developing Porky … [5], According to Martha Sigall, Avery was one of the few directors to visit the ink and paint department - she avers that he liked to see how his cartoons were turning out. Director: Tex Avery | Stars: Sara Berner, Daws Butler, June Foray, Frank Graham Votes: 2,307 https://cartoons.fandom.com/wiki/Tex_Avery?oldid=30484. Tex Avery is not beloved because of his own personal drawing style - unlike say, Chuck Jones. He was like a porcine version of Roscoe Arbuckle. Hell! He later claimed to have directed two cartoons during this time. Saved by DeviantArt. He's a no good skunk!!" Avery stopped using Beans following Gold Diggers of '49, but continued using Porky as a star character. [5] The Avery unit was assigned to work primarily on the black-and-white Looney Tunes instead of the Technicolor Merrie Melodies. Most visited articles. He topped himself at MGM, where Droopy (1943) is his most iconic creation. Droopy is an American anthropomorphic dog with a droopy face, hence the name. An often-quoted line about Avery's cartoons was, "In a cartoon you can do anything," and his cartoons often did just that. He would answer questions and be always in good humor. The scene is reminiscent of "Wolfie" from Red Hot Riding Hood (1943), a character defined by his lust for females. An animator called Charles Hastings decided to take the game one step further, by using a wire paper clip instead. I was no more a director than nothing, but with my loud mouth, I talked him into it. Since the recycling of storylines among the directors was commonplace, "A Wild Hare" was a double throwback. "[12], Hardaway remade this as "Porky's Hare Hunt" introducing the rabbit. His most significant work was for the Warner Bros. and Metro-Goldwyn-Mayer studios, where he was crucial in the creation and evolution of famous animated characters such as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Droopy, Screwy Squirrel, George and Junior, and Chilly Willy. One explanation for this comedy is that portraying impossible feats that cannot be performed in live-action film is funny. MGM is a heck of a better place to work, in every way, and the people here are just as great. The rest of the details were left up to Avery. His influence was found in almost all of the animated cartoon series by various studios in the 1940s and 1950s. Frederick Bean "Tex" Avery was an animator and director. During this period, he also directed a number of one-shot shorts, including travelogue parodies (The Isle of Pingo Pongo), fractured fairy-tales (The Bear's Tale), Hollywood caricature films (Hollywood Steps Out), and cartoons featuring Bugs Bunny clones (The Crack-Pot Quail). The jowls were replaced by chubby cheeks. Avery, in particular, was deeply involved. When asked if he missed the Looney Tunes characters, he responded: "Sometimes, but I don't miss anything else. He is shown as 'animator' on the original title card credits on the Oswald cartoons. In Avery's original version, Bugs and the hunting dog were to fall off a cliff three times, milking the gag to its comic extreme. Frederick Bean "Texas/Fred/Tex" Avery (February 26, 1908 - August 26, 1980) was an American animator, cartoonist, voice actor and director, famous for producing animated cartoons during The Golden Age of Hollywood animation. Avery returned to MGM in October 1951 and began working again. Tex Avery was an American animator, cartoonist, voice actor, and director.He became famous for producing animated cartoons during the Golden age of American animation and produced his most significant work while employed by the Warner Bros. and Metro-Goldwyn-Mayer studios.. [29], Anime director Masaaki Yuasa has mentioned Tex Avery's work as one of his main influences. Tex Avery Gifs. He created the characters of Daffy Duck in Porky's Duck Hunt (1937), Elmer Fudd in Egghead Rides Again (1937), … [2] Additionally, he was growing up in a culture rich with American folk stories and absurd, exaggerated tall tales. Avery wanted still greater control over the creative process and served as a de facto director for a couple of films. After quitting Warner Bros. Cartoons note in 1941 after a squabble with Leon Schlesinger, director Tex Avery was hired by the MGM cartoon studio to try giving the studio something to offer that wasn't Harman and Ising's cutesy oneshot short subjects.. And to say he succeeded with flying colors would be an understatement. Fairbanks liked the idea and the Speaking of Animals series of shorts was launched. Even the classic fairy tale, a market that Disney had cornered, was appropriated by Avery, who made innocent heroines like Red Riding Hood into sexy jazz babes, more than a match for any Wolf. This occurs in Red Hot Riding Hood, Uncle Tom’s Cabaña, and many other shorts where an oversexed, hyper-feminine woman is depicted singing some nostalgic song in a night club. [5] The newlyweds spent a long honeymoon in Oregon, but had to return to Los Angeles when they ran out of money.[5]. Avery used a variety of animators to draw his model sheets and design his characters. Droopy A tiny, very modest Basset Hound that was apparently a master of Offscreen Teleportation and … These changes were evident in Avery's first short released by MGM, The Blitz Wolf, an Adolf Hitler parody of the "Three Little Pigs" story which was nominated for the Academy Award for Best Short Subject (Cartoons) in 1942. A roundup of 19 classic cartoons by animator Tex Avery, the famous Warner Bros. and MGM animator whose work has gone on to influence all kinds of … His most significant work was for the Warner Bros. and Metro-Goldwyn-Mayer studios, where he was crucial in the creation and evolution of famous animated characters such as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Droopy, Screwy Squirrel, George and Junior, and Chilly Willy. Films directed or co-directed by Tex Avery. Porky's Duck Hunt introduced the character of Daffy Duck, who possessed a new form of "lunacy" and zaniness that had not been seen before in animated cartoons. An often-quoted line about Avery's cartoons was, "In a cartoon, you can do anything. One instance of feminine lightheadedness occurs in The Car of Tomorrow, in which a car is advertised that can display erratic turn signals in sync with a confused woman driver. As James Ferguson, governor of Texas from 1915 to 1917, was often quoted in response to woman’s suffrage, “Women’s place is in the home”. He's a goat riding cowboy who often save Miss Chastity Knott from his nemesis Sagebrush Sid. This page is a tribute to the genius of cartoonist Tex Avery. [13], Avery ended up directing only four Bugs Bunny cartoons: A Wild Hare, Tortoise Beats Hare, The Heckling Hare and All This and Rabbit Stew,. One reference appeared in the basketball-themed film Space Jam. 'Hey, I'm, a director'. [citation needed]. He was created by Tex Avery, for theatrical cartoon shorts produced by MGM Studios in 1943. From "Little Rural Riding Hood" Article by Juls Thompson. MGM also offered him larger budgets and a higher quality production level than the Warners studio; plus, his unit was filled with talented ex-Disney artists such as Preston Blair and Ed Love. This effectively distances the audience from the animated world and shows how blatantly artificial it is. 15 août 2016 - Explorez le tableau « Tex Avery » de denis sic, auquel 144 utilisateurs de Pinterest sont abonnés. Since much of the developed world was torn apart by World War II, Americans were increasingly proud of their rapidly expanding capitalism and financial well being. Avery died while working at Hanna-Barbera Studios at the age of 72 due to complications from lung cancer. Egghead was a character inspired by comedian Joe Penner which evolved into Elmer Fudd and first appeared in Avery's Egghead Rides Again. Avery's work has been featured on shows such as The Tex Avery Show and Cartoon Alley. They were co-directed by the Avery unit animator Michael Lah. 1988: Tex Avery, the King of Cartoons 1995: George and Junior: Look Out Below 2000: Toonheads: The Lost Cartoons Video'lar. Interested in becoming a newspaper cartoonist, he took a three-month summer course at the Chicago Art Institute[2] but left after a month. Tex Avery’s Droopy: The Complete Theatrical Collection. The first animated short film produced by this unit was Gold Diggers of '49 (1935), the third Looney Tunes film starring Beans. During the 1960s and 1970s, Avery became increasingly reserved and depressed due to the suicide of his son and the break-up of his marriage,[21] although he continued to draw respect from his peers. The early Porky was decidedly "piglike" in appearance. The time during which he made his greatest contributions is often referred to as the Golden Age of Hollywood Animation due to the advent of sound cartoons and the popularity of the medium between roughly 1928 and 1945. The newer, more stylized look reflected the influence of the up-and-coming UPA studio, the need to cut costs as budgets grew higher, and Avery's own desire to leave reality behind and make cartoons that were not tied to the real world of live-action. 1975: Bugs Bunny Superstar Televizyon dizileri. [22] An Avery-esque cowboy character bore his name in the otherwise unrelated series The Wacky World of Tex Avery. [18], Avery's best known MGM character debuted in Dumb-Hounded (1943). Avery then moved to a new studio, Universal Studio Cartoons (later known as Walter Lantz Productions). In the mid-1990s, Dark Horse Comics released a trio of three-issue miniseries that were openly labeled tributes to Avery's MGM cartoons, Wolf & Red, Droopy and Screwy Squirrel, which other characters make appearances in the comics such as George and Junior, Spike, and the one-shot characters. She was also employed at Universal Studios, as an inker. This is not to say that he did not agree with many of these biased views, he just was not trying to undermine other races. [5] Avery started handing out work to other animators working under Nolan. He directed four cartoons in 1954–1955: the shorts Crazy Mixed Up Pup, Sh-h-h-h-h-h, I'm Cold and The Legend of Rockabye Point, in which he defined the character of Chilly Willy the penguin. He is buried in Forest Lawn - Hollywood Hills Cemetery. Instead of the back of his head, the paper clip hit Avery in his left eye. Wikis. Up until 1927, when he graduated high school and left Texas, Avery was immersed in a society with segregated education, resistance to woman’s suffrage, enthusiastic involvement in World War I, and a resurging Ku Klux Klan. Avery was born to George Walton Avery (1867–1935) and Mary Augusta "Jessie" (née Bean; 1886–1931) in Taylor, Texas. instantly became the rabbit's catchphrase. A Look at the Life and Career of Tex Avery, The Interviews: An Oral History of Television, Spike the Bulldog and Chester the Terrier, Merrie Melodies Starring Bugs Bunny & Friends, The Looney Looney Looney Bugs Bunny Movie, Bugs Bunny's 3rd Movie: 1001 Rabbit Tales, Tiny Toon Adventures: How I Spent My Vacation, Baby Looney Tunes' Eggs-traordinary Adventure, The Gold Diggers' Song (We're in the Money), https://en.wikipedia.org/w/index.php?title=Tex_Avery&oldid=996830558, Burials at Forest Lawn Memorial Park (Hollywood Hills), Metro-Goldwyn-Mayer cartoon studio people, Short description is different from Wikidata, Wikipedia articles with style issues from June 2015, Articles with unsourced statements from July 2014, Articles using Template:The Interviews people, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Srpskohrvatski / српскохрватски, Creative Commons Attribution-ShareAlike License, Animator, animation director, cartoonist, voice actor, This page was last edited on 28 December 2020, at 20:40. 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